- Uit het dagboek van Hermann Göring. (foto Sarah Wildman)
“The Jeu de Paume became a warehouse, and a transit station, for the systematic sluicing of French art into the Reich, particularly work that had been in private—and Jewish—hands. Göring visited the museum some twenty times to select items for himself, his wife, his homes. He was not alone in his greed: the best of the best was supposed to be kept for Hitler; the next tier of Nazis would then select for themselves.”
Newyorker.com/books/page-turner/the-revelations-of-a-nazi-art-catalogue
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