VK: Geheimzinnige vingerafdruk gevonden op schilderij Bosch | Die Welt: “Wir sehen das Unsichtbare”
(0)Samuel Aranda wins the World Press Photo of the year | Overzicht winnaars
(0)VK: Megafraudeur kunstfonds weer terug in Nederland
(0)Parool: Beeld en Geluid/BMW stelt videokunst Sandberg Instituut veilig
(0)kunstbeeld: Zachary Formwalt wint de Illy Prize op Art Rotterdam
(0)HufPost: Antoni Tapies Dies At 88 Years Old
(0)We Like Art: Must-see: 5 Rotterdamse kunstbeurzen aan de Maas
(1)8-06 2006, 13:47 JB
Still uit Ze komen, Manon Bovenkerk, Nederland (3 min)
Do 08 Jun / deur open @ 20:30u / € 3.5
Met filmwerk van (ondermeer) Manuel Saiz, Shelly Silver, Andres Denegri, Thorsten Fleisch, Victor Alimpiev, Manon Bovenkerk en Dave Griffiths.
31-12 2009, 17:43 NP
Favoriete kunstwerk
On the Trail of a Disorderly Future (A tour) van Hui-min Tsen.
Ruim anderhalf uur lang onder begeleiding dwalen door het Pedway System van Chicago. Leermoment van het jaar, met 15 man en een reisleidster kan je overal naar binnen. Begin volgend jaar komt het boek uit.
19-03 2009, 12:02 NP
Prachtportret door Tom van Eynde
Een interviewkneiter van de bovenste plank, een uur lang Bad at Sports in gesprek met stripboekenmaker Chris Ware.
31-07 2008, 18:05 NP
Bad at Sports: Art Basel & UBS Come Under IRS & Senate Investigation.
22-07 2008, 12:43 NP
Geschreven column door Lisa Boyle bij Bad at Sports over de relatie kunstenaar en galeriehouder.
“It seems always to be a vague replica of every high school relationship I ever had: one person liked the other person better than the other person liked them. Many gallery artists are constantly worried about whether their work will be on the booth walls at the next fair, and the dealers are often worried about the artist moving up and out when the first better opportunity comes along.”
Met opvolgende discussiedraad:
“The dealer problems Ms. Boyle describe would be valid if the art market was a true wholesale/retail market, but it isn’t. Galleries are not retail stores. Retail stores purchase the merchandise they offer for sale. The mark-up on the wholesale discount covers not only overhead, but also the capital tied up from maintaining an inventory. In actuality most galleries operate as consignment shops. In reality the artist is the one taking the risk by removing their work from the market without compensation on the hope that the dealer will make an honest effort to sell the work and will fairly share the proceeds.”
“To start (into what is a complex issue), European artists, for the most part think 50% is highway robbery. They say, ” I can’t believe they get away with that shit!” But then I hear from European dealers that they sell more easily- more people of average income prioritize buying art.”
12-06 2008, 0:26 NP
“It’s Rotterdam plus Chicago and five or six other cities”
Edmar & Rachel aan het woord over Proximity, Chicago en een Rotterdam special in de nieuwe Proximity.
Te beluisteren bij BadAtSports.com
