tb-kort

NYT: Basquiat Estate Sues Christie’s, Saying Some Works For Sale May Not Be Real

Guardian: Why has looking at art in Britain become a snob’s rite of passage?

Highsnobiety: How Young is Too Young? Emerging Artists at Contemporary Art Auctions

The Art Newspaper: Oscar winning director (and Turner prize artist) picks Hollywood over Hugo Boss

GS: Rijksoverheid belastert en besmeurt Brenno (de Winter) | TPO: Tien dagen proefdraaien met een controlestaat. Het middel overheidsintimidatie wordt bot en werkt maar deels

NYT: State of Our Art, According to Whitney. A Guide to the 2014 Whitney Museum Biennial

BoingBoing: Disney drops $4.8M in Boy Scouts funding over anti-gay policy

GK: MT500 2014: Genoeg redenen om niet te komen. Over lui denken

Hyperallergic: Zaha Hadid Is an Awful Human Being, Says “Not My Duty” to Prevent Migrant Worker Deaths

NYT: In Athens, the Last Man Painting

VK: Buma/Stemra schaft ’embedbelasting’ af

Zwart Goud: Artistiek directeur Christie Arends voortijdig weg bij Schunck

Booooooom: The End of Facebook

Cultuurpers: ‘Beperkte meting’: minister gooit rapport Berenschot in prullenbak

Guardian: Picasso and Mondrian: genius at work. Picasso hopped from place to place, while Mondrian made his life’s work at one address.

AFC: Collectors Are Into the Worst Art (“Kesh Girls” at Taymour Grahne Gallery)

Guardian: Revealed: the art experts who pass fakes as authentic. Dubious data and selective use of evidence lead to forgeries being attributed to masters

GMHK: Interview met Peter Rogiers

Bureau Arnhem: Vivare heeft weinig op met wijkinitiatief Locatie Spatie

Twee bijzonder lezenswaardige interview met Han Hoogerbrugge en Niels Shoe Meulman bij Hans Frederiks.

NYT: A lawsuit accuses the Keith Haring Foundation and its directors of hurting the value of collectors’ property

Ko van Dun: Who’s afraid IV

Rhizome: I (No Longer) Have a Web Site: Access, Authenticity, and the Restoration of GeoCities

Rhizome: Before and After UbuWeb: A conversation about artists’ film and video distribution

Gallerist: This Year’s Brucennial, the Last Ever, Will Feature Only Female Artists