“Just as a VHS tape is useless without a VCR, a digital video file is useless without some kind of software that understands how to interpret and play it, or tell you something about its contents. At least with a VHS tape you can hold it in your hand and say, “Hey, this looks like a VHS tape and it probably has an analog video signal recorded on it.” But there is essentially nothing about a QuickTime .MOV file that says, “Hello, I am a video file! You should use this sort of software to view me.” We rely on specially designed software—be it an operating system or something more specialized—to tell us these things. The problem is that these tools may not always be around, or may not always understand all formats the way they do today. This means that even if we manage to keep a perfect copy of a video file for 100 years, no one may be able to understand that it’s a video file, let alone what to do with it.”
“MoMA’s digital collection currently is about 80 terabytes in size (80,000 gigabytes). This is a lot of data, but it is minuscule compared to our anticipated collection growth over the course of the next 10 years. As MoMA acquires more digital artworks, and as the image resolutions used by artists and filmmakers increase, we project the digital collection to grow to approximately 1.2 petabytes (1.2 million gigabytes) by 2025.”
Een blik achter de schermen bij de afdeling digitale conservering van het MoMA.
Moma.org/explore/inside_out/2015/04/14/momas-digital-art-vault (via Kottke)
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