“The work is either a conservator’s nightmare or a conservator’s dream, having every potential problem, from obsolescent exhibition and playback equipment to outdated video technology. Equally important, I was aware of the conceptual challenges linked to conserving Nam June Paik’s media sculpture.”
Fascinerend leesvoer en video-interview, MoMA conservator Glenn Wharton biedt een blik achter de schermen tijdens de restauratie van Paiks Untitled (Piano).
Youtu.be/rO_lwjhoSiU (video na de klik)

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