Uitgebreid artikel over leven, werk en carrière van Dana Schutz met natuurlijk aandacht voor de (media)rel rond een van haar werken in de Whitney Biënnale.
“I knew the risks going into this,” Schutz told me. “What I didn’t realize was how bad it would look when seen out of context. Is it better to try to make something that’s impossible, because it’s important to you, and to fail, or never to engage with it at all? I just couldn’t do it any other way.”
Newyorker.com/magazine/2017/04/10/why-dana-schutz-painted-emmett-till
Leave a Reply